Claude Gillot(April 28,1673 Langres - May 4,1722 Paris) was a French painter, best known as the master of Watteau and Lancret. He had Watteau as an apprentice between 1703 and 1708. He was a painter, engraver, book illustrator, metal worker, and designer for the theater. His sportive mythological landscape pieces, with such titles as Feast of Pan and Feast of Bacchus, opened the Academy of Painting at Paris to him in 1715; and he then adapted his art to the fashionable tastes of the day, and introduced the decorative fetes champetres, in which he was afterwards surpassed by his pupils. He was also closely connected with the opera and theatre as a designer of scenery and costumes. | |||
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A scene inspired by the Commedia Pintura Identificación:: 70633 Vea nuestra galería en Suecia |
A scene inspired by the Commedia A scene inspired by the Commedia Dell'arte. Oil on canvas, 59 x 72.5 cm. A_scene_inspired_by_the_Commedia_Dell'arte._Oil_on_canvas,_59_x_72.5_cm. |
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A scene inspired by the Commedia Dell'arte Pintura Identificación:: 72619 Vea nuestra galería en Suecia |
A scene inspired by the Commedia Dell'arte A scene inspired by the Commedia Dell'arte. Oil on canvas, 59 x 72.5 cm. cjr A_scene_inspired_by_the_Commedia_Dell'arte._Oil_on_canvas,_59_x_72.5_cm. cjr |
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A scene inspired by the Commedia Dell arte Pintura Identificación:: 74389 Vea nuestra galería en Suecia |
A scene inspired by the Commedia Dell arte Description A scene inspired by the Commedia Dell'arte.jpg English: A scene inspired by the Commedia Dell'arte. Oil on canvas, 59 x 72.5 cm. Date early XVIII century cyf Description_A_scene_inspired_by_the_Commedia_Dell'arte.jpg_ English:_A_scene_inspired_by_the_Commedia_Dell'arte._Oil_on_canvas,_59_x_72.5_cm._ Date_early_XVIII_century _ cyf |
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| Claude Gillot | ||||||||||
| (April 28,1673 Langres - May 4,1722 Paris) was a French painter, best known as the master of Watteau and Lancret. He had Watteau as an apprentice between 1703 and 1708. He was a painter, engraver, book illustrator, metal worker, and designer for the theater. His sportive mythological landscape pieces, with such titles as Feast of Pan and Feast of Bacchus, opened the Academy of Painting at Paris to him in 1715; and he then adapted his art to the fashionable tastes of the day, and introduced the decorative fetes champetres, in which he was afterwards surpassed by his pupils. He was also closely connected with the opera and theatre as a designer of scenery and costumes. | ||||||||||
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